
Directing
Jonas Mekas (24-12-1922 - 23-1-2019) was born in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn. Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue. During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT. Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet -- one film every day -- and since then has continued to share new work on his website. Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.

Kulturplatz
2004

A Poet from the Lower East Side
1997

3.11 A Sense of Home Films
2011

The Velvet Underground
2021

Superstar: The Life and Times of Andy Warhol
1990

Empire
1965

Notes on an American Film Director at Work
2008

George: The Story of George Maciunas and Fluxus
2018

Nam June Paik: Moon Is the Oldest TV
2023

Nitsch
2018

My Conversations on Film
2013

Viva Jonas!

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
2000

What Is Cinema?
2013

Imagine
1972

River of Fundament
2014

Jonas Keeps Shooting Around
2002

Cinématon
1978

Film: The Living Record of Our Memory
2022

It Came from Kuchar
2009

ORG
1979

Free Radicals: A History of Experimental Film
2011

365 Day Project
2007

Doc
2008

Tapes
2020

Belladonna
1989

Gena Rowlands: A Life on Film
2019

Diaries, Notes, and Sketches
1968

Jonas in the Desert
1994

Vertigo
2022

J. Mekas
1980

Reminiscences of Jonas Mekas
2016

Fragments of Paradise
2022

Invocation: Maya Deren
1986

9/11: Life Under Attack
2021

Notes in Lifestyle Margins
2002