Acting
Stéphane de Rosti was born in Alexandria. His father, Stéphane Rosti senior, an Austrian Baron, who married an Italian, bought her palace in Shoubra and decided to live there. As the mother was about to give birth to her child, the father returned to Vienna in obedience to his Aristocratic family. When Stéphane Rosti was born, she gave him his father’s name. He lived with his mother in Shoubra, and went to al-Khedeweyya school. When he got his school certificate, he decided to try to meet his father. At the same time, he got in touch with an Austrian ballet dancer in “Teatro Abbas” with whom he travelled to Vienna. He managed to meet his father there but eventually fell from favor because of his relation with the dancer, in addition to his Artistic tendencies. It was in Europe that Stéphane met the director Muhammad Kareem, was studying cinema in Germany at the time, who helped him to return to Egypt. In 1917, Rosti met Aziz Eid who was about to form his own theatrical troupe. Later, Rosti together with Nagueeb al-Rehaany presented the operetta “Al-‘ashara al-tayyeba i.e. Ten of hearts (1920)”. It was his activity in Ramsis troupe that made his colleague ‘Azeeza Ameer decide to let him complete what was considered the first Egyptian feature film “Nedaa Allaah i.e. The call of God (1927)”, eventually changed to “Laila” in 1927. The Turkish director Wedaad ‘Orfy was supposed to direct the film but he clashed with Azeeza Ameer. In addition to “Laila”, Rosti directed five films and was co-writer of six others. However, his reputation rests heavily on his acting career. Even though he was famous for playing the villain, he used to interpret such roles with a unique sense of humor that made the audience sometimes actually like and sympathize with his character. He succeeded in combining the villain and comedian, to become a comic villain. He used to take part in the writing of his character and add some words that usually became a feature of his character. It is a measure of his success that some of his lines are still remembered until this very day. Would always be remembered also for his unique accent and tone of voice especially when playing a foreigner. In 1936, Stéphane Rosti married an Italian lady called Marina, they stayed together until he died on 12 May 1964, while shooting the last scenes of “Hekaayaat noss al-leil i.e. Midnight tales”.

Singer of the Valley
1947

Women Can’t Lie
1954

El Maganeen Fi Naeem
1963

I Love you Hassan
1958

Shore of Love
1950

Hassan, Morcos and Cohen
1954

Sayedat el kasr
1958

Mr. Omar
1941

The Laughing Crime
1963

The Country Girl
1954

Zanuba
1956

The Impostor
1961

Eid Night
1949

Ismail Yassine in Prison
1960

The Flirtation of Girls
1949

No return
1961

The King of Petrol
1962

Tamarind
1957

ابن عنتر
1947

Abu halmos
1947

Love and Tears
1955

Midnight story
1964

أهل الهوى
1955

Tough Road
1950

Habibi El Asmar
1958

The Victory of Youth
1941

Tell No One
1952

Hymn of Hope
1937

لا تذكريني
1961

Wives killing association
1962

In a rainy night
1939

Agaza Fi Gohanam
1949

Sheikh Hassan
1954

Afrita Hanem: The Genie Lady
1949

Believing in God
1952

Hob Min Narr
1958